October 1, 2026 -A Day at Sea — Brunch, Stories, Music & Life Aboard Silver Spirit

From an extraordinary Signature Brunch to the stories behind songs we thought we knew—and an evening with an old favorite
Where in the World Are We?

Nowhere We Had to Be
After four busy days exploring Valencia, Barcelona, Palamós, and Palma de Mallorca, we woke up this morning to something completely different.
No port.
No tour bus.
No walking tour.
And nowhere we had to be.
Silver Spirit was spending the day at sea, carrying us north toward France.
But we’ve learned that a day at sea doesn’t have to be quiet.
Today would bring an extraordinary brunch, a preview of the French destinations ahead, fascinating stories behind songs we’ve known for decades, a Venetian Society celebration, dinner with a special host—and the return of one of our favorite entertainers.
First, however, there was brunch.
And Silver Spirit apparently doesn’t believe in doing brunch halfway.
Our Day At Sea started withSilver Spirit Signature Brunch. The entrance offered Bloody Marys and champagne.
Inside, we found wonderful decorations of carved watermelon with caviar, a pastry table, sushi, decadent waffles, cheeses, and a fresh seafood counter.
This Wasn’t Just Brunch
Our day began with the Silver Spirit Signature Brunch.
At the entrance, the choices looked promising.
Bloody Mary or champagne?
Inside, we discovered that calling this simply “brunch” didn’t really do it justice.
There were elaborate displays and carved watermelons.
Caviar.
Fresh seafood.
Sushi.
Cheeses.
Pastries.
And some particularly decadent waffles.
Part of the fun was simply walking around and deciding what to try first.
On a normal morning, you eat breakfast before starting the day’s activities.
Today—
breakfast was the activity.










Getting Ready for France
After brunch, it was time to start thinking about where Silver Spirit was taking us next.
At 10:00, destination lecturer Laurel Weeks presented “Go Ashore Smarter: Sète/Marseille.”
This is one of the things we appreciate about sea days.
Instead of simply arriving at the next port and trying to figure out what we’re looking at, we have an opportunity to learn something about it first.
Today that meant turning our attention toward southern France.
Sète would be our gateway to a landscape of canals, countryside and regional traditions.
Then came Marseille, with its historic harbor, monuments, and the great Notre-Dame de la Garde overlooking the city.
And beyond both ports was Provence.
Suddenly tomorrow wasn’t simply another dot on the itinerary.
We were beginning to understand where we were going.












Sète — France’s Mediterranean Gateway
We began with Sète and the waterways that helped connect France’s Mediterranean coast with the country’s interior.
The story took us back to the reign of Louis XIV, when France sought better internal transportation links that did not depend entirely upon vulnerable sea routes.
The resulting canal system became an extraordinary engineering achievement.
Today, those waterways serve a much more peaceful purpose.
Visitors can travel through the countryside, passing villages, vineyards and landscapes that look considerably more inviting than the military problems that helped inspire the project centuries ago.
Tomorrow, we would begin seeing this part of France for ourselves.




Marseille — Looking Ahead
Then Laurel took us farther along the coast to Marseille.
Its harbor has helped define the city for centuries.
Above it stands one of Marseille’s most recognizable landmarks—Notre-Dame de la Garde, watching over the city from its hilltop position.
The interior photographs were spectacular.
Mosaics cover the floors, walls, and ceilings, turning the church into an explosion of pattern, color, and light.
But Marseille isn’t simply monuments and churches.
We also saw another side of the city.
Street art.
Busy boulevards.
Sidewalk cafés.
Markets.
And, inevitably in France—
food.
By the time the lecture moved into the foods and towns of Provence, Laurel had accomplished her mission.
We were ready to go ashore.















The foods of Provence.









Additional cities in Provence.


















The Stories Behind the Songs
Our next lecturer, Steven King, changed subjects completely.
His presentation, “I Write the Songs,” explored the stories behind familiar songs by performers including The Drifters, The Beatles, Dolly Parton, and Whitney Houston.
We’ve heard many of these songs for decades.
We hadn’t heard the stories behind them.
And sometimes knowing the story changes the way you hear the song forever.
Save the Last Dance for Me
One of the most touching stories involved “Save the Last Dance for Me.”
Steven told us about songwriter Doc Pomus, who had been left unable to walk normally after contracting polio.
The song took on an entirely different meaning when we learned about a man watching the woman he loved dance with other men, knowing he couldn’t join her on the dance floor.
She could dance.
She could enjoy the evening.
But when the night was almost over—
Save the last dance for me.
We’ve heard that song countless times.
We’ll probably never hear it quite the same way again.







Did We Really Know Those Beatles Songs?
Then came The Beatles.
Steven shared stories and interpretations behind several songs whose lyrics have been debated and analyzed for decades.
Suddenly familiar titles such as “Ticket to Ride,” “Lucy in the Sky with Diamonds” and “With a Little Help from My Friends” became starting points for stories about the Beatles’ early years, families, friendships and sudden rise to extraordinary fame.
Whether we had heard every interpretation before almost didn’t matter.
The fun was listening to songs we had known most of our lives and asking ourselves:
Did we ever really know the story behind them?







One Song — Two Extraordinary Careers
Then came a song almost everyone recognizes within seconds.
“I Will Always Love You.”
For many people, the song is inseparable from Whitney Houston.
But its story began much earlier with Dolly Parton.
Dolly wrote the song as she was ending an important professional chapter of her life and moving forward on her own.
Years later, Whitney Houston transformed it into a soaring international hit for The Bodyguard.
Same song.
Two completely different voices.
Two different moments in popular music.
And two extraordinary careers connected by a few minutes of music.
Steven’s presentation reminded us that sometimes the story behind a song can be every bit as interesting as the song itself.



And Then There Was Dolly
Of course, no look back at Dolly Parton’s career would be complete without noticing something else.
Dolly has had a lot of looks.
Hair changed.
Clothes changed.
Decades changed.
Dolly remained unmistakably Dolly.
We thoroughly enjoyed watching the transformation.
Somehow, no matter the decade—
you always know it’s Dolly.






Celebrating the Venetian Society
Later in the day, the Captain hosted a special event honoring members of the Silversea Venetian Society.
For us, this was more than another shipboard reception.
After multiple Silversea voyages and world cruises, so many of our memories are connected with these ships.
The destinations certainly matter.
But over time, so do the people.
Crew members we recognize.
Fellow travelers we meet again.
Entertainers we’ve seen on previous voyages.
And the feeling of returning to a ship that already seems familiar.
That’s what makes a long relationship with a cruise line different from simply taking another cruise.
Eventually, you begin coming back to people as much as places.


Dinner With a Sense of Place
That evening, we were guests of the Shore Excursion Manager for dinner at S.A.L.T. Kitchen.
S.A.L.T.—Sea And Land Taste—is built around an idea we particularly enjoy on a voyage like this.
The menu changes with the region.
Rather than separating what happens aboard the ship from the countries outside it, dinner becomes another way of exploring where we’re traveling.
Local ingredients.
Regional recipes.
Flavors connected to the places we’re visiting.
We may have spent October 1 at sea.
But even at dinner, the Mediterranean was still very much part of the experience.
It was a wonderful evening with our host—and another reminder that sometimes exploring a destination can begin before you ever walk down the gangway.






An Old Favorite Returns
Our final entertainment of the evening brought back someone we already knew.
Ben Mills.
We’ve had the pleasure of seeing Ben perform several times on previous voyages, so this wasn’t simply a first introduction to another headline entertainer.
It felt more like welcoming back an old favorite.
Ben is one of those performers who doesn’t need elaborate scenery or a huge production surrounding him.
Give him a piano.
A guitar.
A microphone.
And an audience.
He’ll take care of the rest.
His combination of musicianship, voice, personality and connection with the audience is what keeps us looking forward to seeing him again.
Earlier today, we talked about how familiar songs can carry memories from one period of life into another.
Tonight, Ben reminded us that performers can do the same thing.
We had seen him before.
We were delighted to see him again.
And once again—
he didn’t disappoint.






Tomorrow — Medieval France
Today Laurel Weeks showed us photographs of Sète, its waterways and the landscapes of southern France.
Tomorrow, the photographs disappear.
We’ll be there.
Silver Spirit arrives in Sète, but our destination lies farther inland.
Carcassonne.
We’ll leave the Mediterranean coast behind and travel into the French countryside toward one of Europe’s great medieval fortified cities.
Stone walls.
Defensive towers.
Narrow streets.
And centuries of history enclosed behind a remarkable double ring of fortifications.
Today we learned about southern France from the comfort of Silver Spirit.
Tomorrow, we walk into its history.
Next: October 2 — Medieval Carcassonne →
September 30, 2026 -Palma de Mallorca — A Castle, a Cathedral & the Soul of Spain

From Bellver Castle high above Palma to Gaudí inside La Seu, noble homes in the Old Quarter—and a fiery night of flamenco
Where in the World Are We?

We are in Palma de Mallorca, Spain.
From Bellver Castle high above Palma to Gaudí inside La Seu, noble homes in the Old Quarter—and a fiery night of flamenco
From Catalonia to Mallorca
Yesterday, Salvador Dalí gave us one final dose of Catalan imagination before Silver Spirit carried us south through the Mediterranean.
This morning we awoke in the Balearic Islands.
Palma de Mallorca.
Mallorca may be famous for sunshine, beaches and Mediterranean resorts, but today’s excursion—appropriately called “The Best of Palma”—would show us a very different side of the island.
A circular medieval castle overlooking the city.
One of Spain’s great Gothic cathedrals.
Centuries-old homes of Palma’s noble families.
Art hidden along the streets.
And, unexpectedly, another encounter with Antoni Gaudí.
We had left Barcelona behind.
But apparently Gaudí wasn’t quite finished with us.
Bellver Castle — Palma From Above
Our first stop took us high above Palma to Bellver Castle.
From below, it looks like a formidable medieval fortress.
Inside was the surprise.
Rather than the square courtyard we might have expected, Bellver opens into an elegant circular courtyard surrounded by Gothic arcades.
Stone columns.
Rounded arches.
Upper galleries.
And rooms containing sculptures, mosaics and artifacts from Palma’s long history.
It was a reminder that castles weren’t simply defensive structures.
They were also royal residences.
But some of Bellver’s greatest treasures weren’t inside the castle at all.
They were waiting for us at the top.













The View From the Top
Climbing higher rewarded us with one of the best views of the day.
Below us stretched Palma, its marina and the blue Mediterranean beyond.
From this height, we could begin to understand the city before walking through it.
And in the distance was an unmistakable landmark.
La Seu Cathedral.
From Bellver Castle it dominated Palma’s skyline.
Soon we would be standing beneath it.
And then inside it.




La Seu — Palma’s Gothic Masterpiece
Nothing quite prepares you for the scale of La Seu Cathedral when you approach it from below.
Massive Gothic walls rise above the waterfront.
Flying buttresses reach outward from the building.
Stone towers and pinnacles seem to pull your eyes upward.
Sandy stopped for a photograph in front of the cathedral while high above us stood the figure of the Archangel Gabriel, watching over the city.
From Bellver Castle, La Seu had been part of the skyline.
Standing beneath it, the cathedral seemed to become the skyline.





And Gaudí Appears Again
Then we stepped inside.
And there was an old friend waiting for us.
Antoni Gaudí.
Only two days earlier in Barcelona, we had been following his extraordinary architecture through the city.
We thought we had left Gaudí behind.
Instead, here he was in Mallorca.
Gaudí was invited to work on the cathedral in the early 20th century, and above the main altar hangs one of the most striking elements associated with his work here—a dramatic seven-sided canopy.
It seems to float above the altar.
Around us, light streamed through enormous rose windows, filling the Gothic interior with color.
Once again, Gaudí had entered a centuries-old building and found a way to leave behind something unmistakably his own.
Barcelona had taught us to recognize his imagination.
Palma gave us another opportunity to see it.




Stories Without Words
As we continued through La Seu, we were reminded that medieval cathedrals were designed to do more than provide a place to worship.
They also told stories.
The chapels, stained glass, sculptures and paintings became a kind of visual Bible.
One chapel depicted The Last Supper.
At first glance, it was a familiar scene.
Then we looked more closely.
There was Judas, positioned to the right of Jesus—
holding his bag of silver coins.
It’s the kind of small detail that can easily disappear inside a building this enormous.
But once you notice it, the entire scene changes.
Sometimes the most interesting part of looking at historic art is learning to slow down long enough to see what the artist wanted you to discover.



One Last Look Up
Even leaving La Seu required us to stop.
Above the doorway was extraordinary golden woodwork, another elaborate detail we might easily have missed if we had simply walked out.
Then, once outside, we found ourselves looking back at the cathedral’s immense exterior stonework.
That became something of a theme today.
Every time we thought we were finished looking at La Seu—
the cathedral gave us one more reason to look again.


Behind the Doors of Old Palma
Leaving the cathedral, we continued on foot through Palma’s Old Quarter.
The scale changed immediately.
Instead of towering Gothic architecture, we found narrow streets lined with stately homes once associated with Mallorca’s noble families.
Their balconies gave the streets much of their character.
But the real surprise was what could be hidden behind an ordinary-looking entrance.
We stepped inside one of the historic homes and discovered an open courtyard surrounded by beautiful stonework.
Above the entrance, a coat of arms announced the family that once lived here.
From the street, we had seen a façade.
Inside, we discovered an entirely different world.
It made us wonder how many more of Palma’s beautiful old doors were hiding courtyards we would never see.






Another Artist Joins Our Journey
Art continued following us through the streets of Palma.
After Gaudí inside the cathedral, we encountered another famous Spanish name outside.
Joan Miró.
Among the sculptures in the Old Town was Miró’s depiction of a pregnant woman.
Over the past few days, our journey through Spain had unexpectedly become something of an art tour.
Gaudí in Barcelona.
Dalí at Púbol.
Gaudí again in Palma.
And now Miró.
None of this had been planned as an art pilgrimage.
It simply kept happening.

Back Home to Atlantide
After a day of castles, cathedrals, noble homes and art, we returned to Silver Spirit and another familiar evening at Atlantide.
By now, Atlantide had become one of our comfortable routines aboard ship.
The remarkable thing about a long voyage is how quickly “home” changes its meaning.
During the day, we may be exploring a city we’ve never seen before.
By evening, we return to familiar surroundings, familiar faces and a table aboard Silver Spirit.
Tonight, however, Spain wasn’t quite finished with us.
After dinner, Mallorca was coming aboard.



Mallorca Comes Aboard
Tonight we didn’t have to leave Silver Spirit to experience one final taste of Spain.
A local ensemble came aboard to present “Flamenco Rhythms from Palma de Mallorca.”
Three performers.
A singer.
A guitarist.
A dancer.
And together, they created something much larger.
The singer supplied the emotion.
The guitarist created the rhythm.
And the dancer seemed to turn that rhythm into movement.
Flamenco can be graceful one moment and explosive the next.
A foot strikes the floor.
Hands clap.
The guitar accelerates.
The dancer turns.
And suddenly what began as music becomes something you can almost feel.
After days of experiencing Spain through its architecture, food, history and art, tonight we experienced another part of its cultural identity.
Its rhythm.
It was a wonderfully Spanish ending to our final day of September.





Tomorrow — Nowhere We Have to Be
After three consecutive days exploring Valencia, Barcelona, Palamós and Palma, tomorrow brings something entirely different.
A day at sea.
No alarm for an early excursion.
No tour bus waiting at the pier.
No ancient streets to walk.
But, as we’ve already discovered aboard Silver Spirit, a day at sea doesn’t necessarily mean a day with nothing to do.
We’ll look ahead to Sète and Marseille, hear the stories behind classic hit songs, enjoy the Silver Spirit Signature Brunch, and welcome back entertainer Ben Mills, whom we’ve enjoyed several times on previous world cruises.
Silver Spirit will spend the day carrying us toward France.
We’ll spend the day enjoying Silver Spirit.
Next: October 1 — A Day at Sea →
September 29, 2026 – Barcelona — A City of Art, Architecture & Surprises

Pirates, fortunes from the Americas, a castle built for a muse—and another entertaining evening aboard Silver Spirit
Where in the World Are We?

From Gaudí to Dalí
Yesterday in Barcelona, we explored a city transformed by Antoni Gaudí’s extraordinary imagination.
Today, Silver Spirit carried us farther north along the Catalan coast to Palamós, gateway to another very different world of imagination.
This time, the artist was Salvador Dalí.
But Dalí would have to wait.
Our excursion, “Begur Village & Dalí in Púbol,” began with a visit to the beautiful Empordà region and the medieval village of Begur.
By the end of the day, we would encounter medieval castle ruins, defensive towers built against pirates, houses constructed with fortunes made in the Americas—and finally a castle transformed by one of the world’s most unconventional artists for the woman who inspired him.
Yesterday was Gaudí.
Today belonged to Dalí.
Begur — A Village With Stories to Tell
Our first destination was Begur, one of the picturesque villages of the Costa Brava.
Above the town stand the ruins of its medieval castle, a reminder that Begur’s peaceful appearance today hides a much more turbulent past.
Walking through the village, we discovered that Begur’s history seemed to appear everywhere.
On the hilltop were castle ruins.
Along the streets were grand homes built by residents who had traveled across the Atlantic and returned wealthy.
And rising among the houses were old defensive towers constructed to protect the villagers from pirates.
This may look like a quiet Mediterranean village today.
Centuries ago, apparently, life here wasn’t always so quiet.
A Tribute to Carmen Amaya
Along our walk, we encountered a memorial to Carmen Amaya, one of Spain’s celebrated flamenco dancers.
It was an unexpected connection to the music and dance we had already experienced during our journey through southern Spain.
Flamenco isn’t simply entertainment here.
It is part of Spain’s cultural identity—music, rhythm, and emotion passed from one generation to another.
And here in Begur, Carmen Amaya is remembered in bronze.





Fortunes From Across the Atlantic
Some of Begur’s most distinctive homes tell another story.
During the 19th century, local residents left Spain and crossed the Atlantic seeking opportunity in the Americas.
Some succeeded spectacularly.
When they eventually returned to Begur with their fortunes, they built impressive Colonial-style houses that became symbols of their success.
Locals came to know them as “Indies” houses.
Standing in this little Catalan village, the buildings were reminders that even centuries ago, Begur was connected to a much larger world.
People left.
Fortunes were made.
And some came home determined to make sure everyone knew it.
When Pirates Came to Begur
Then came another reminder that life along the Mediterranean wasn’t always idyllic.
Pirates.
During the 16th century, the people of Begur built defensive towers to protect themselves against pirate attacks.
Today those towers seem picturesque.
Originally, they had a considerably more serious purpose.
When danger approached, villagers could seek protection inside.
It was difficult to reconcile that history with the peaceful streets we were walking today.
But that’s one of the things we continue discovering throughout the Mediterranean.
Behind many beautiful old buildings is a story of people trying to protect themselves from someone else.






A Castle for Gala
From Begur, we continued into the Empordà countryside toward Púbol.
Our destination was a medieval castle.
But this wasn’t really a story about a castle.
It was a story about Salvador Dalí and Gala.
Gala was Dalí’s wife, muse, and an enormous influence on both his life and his work.
Dalí believed that his muse deserved a special place of her own.
So he acquired an old medieval castle at Púbol and transformed it for her.
But this wasn’t simply a restoration project.
Dalí approached the castle the way Dalí seemed to approach almost everything.
He reinvented it.
The result was part medieval castle, part private residence, and part work of art.
And today we were going inside.





Inside Dalí’s Imagination
Once inside, it became obvious that this wasn’t going to be an ordinary historic-house tour.
Dalí’s imagination was everywhere.
Rooms became theatrical.
Ordinary objects became unexpected.
Decorative elements appeared where we didn’t anticipate them.
Throughout the castle, it was sometimes difficult to tell where the medieval building ended and Dalí’s imagination began.
That was part of the fun.
In most historic castles, we find ourselves asking:
“What happened here?”
At Púbol, we kept wondering:
“What was Dalí thinking?”




A Private World
As we moved deeper into the castle, the eccentricity gave way to something more intimate.
We entered the bedroom and bath, followed by the guest bedroom and butler’s pantry.
These weren’t museum galleries when Gala lived here.
They were part of her home.
That made Púbol different from seeing Dalí’s work hanging on a museum wall.
Here we were seeing the environment he helped create for the woman who inspired so much of his life and art.
The castle gave us a glimpse not simply of Dalí the famous artist, but of the private world Dalí and Gala created around themselves.





The Artist Appears
Eventually, of course, we came face-to-face with Dalí the artist.
Three of his works reminded us that the man who created this unusual home was also one of the most recognizable figures in 20th-century art.
Dalí’s work rarely asks the viewer simply to admire it.
It asks you to stop.
Look again.
Wonder what you’re seeing.
And perhaps wonder what Dalí wanted you to think you were seeing.
After walking through Púbol, that suddenly seemed entirely appropriate.



Where Dalí Worked
Then we reached one of the castle’s most fascinating rooms.
Dalí’s workshop.
After seeing the public spectacle associated with Salvador Dalí—the famous mustache, the surreal imagery and the carefully cultivated eccentric personality—there was something particularly meaningful about seeing the place where the actual work happened.
This was where imagination had to become something physical.
An idea.
A canvas.
Paint.
And finally, a finished work.
Among the most poignant things we saw was Dalí’s last painting.
Suddenly, the eccentric artist felt much more human.
Every creative life, no matter how extraordinary, eventually produces one final work.

Dalí Didn’t Stop at the Front Door
Dalí’s imagination didn’t stop at the castle walls.
Outside, the gardens continued the experience.
Like the rooms inside, they weren’t simply decorative surroundings.
They were another part of the world Dalí created for Gala.
After the darker interiors of the medieval castle, stepping into the garden also gave us a chance to slow down and absorb everything we had just seen.
Púbol wasn’t merely somewhere Gala lived.
It was somewhere Dalí imagined for her.



The Man Behind the Mustache
Before leaving, we came across photographs of the man behind everything we had just seen.
Salvador Dalí understood the power of an image.
The unmistakable mustache.
The dramatic expressions.
The theatrical poses.
He didn’t simply create surrealist art.
He turned himself into one of his creations.
Yesterday, Gaudí showed us what could happen when an architect refused to think like everyone else.
Today, Dalí showed us what could happen when an artist refused to be like everyone else.
Two days.
Two extraordinary Catalan imaginations.
And two completely different ways of seeing the world.



Into the Limelight
Back aboard Silver Spirit, it was time for another kind of theater.
The Silversea Singers and Dancers presented “Limelight,” bringing together music from Broadway, London’s West End and some of the movies and musicals we’ve enjoyed over the years.
The evening moved from familiar classics to contemporary favorites, including music from Grease, ABBA and The Greatest Showman.
After spending the afternoon inside Salvador Dalí’s surreal imagination, perhaps a theatrical evening was exactly what we needed.
Bright costumes.
Big voices.
Energetic choreography.
And music we recognized almost immediately.
Dalí had provided the drama during the day.
The Silversea cast took over at night.







Dinner at Atlantide
After Limelight, we returned to our familiar table at Atlantide.
Tonight’s dinner began with foie gras, accompanied by Cadillac wine.
Then came fried octopus, followed by our main courses of ribeye steak and halibut.
After nearly two weeks aboard Silver Spirit, evenings like this were developing a comfortable rhythm.
Explore somewhere extraordinary during the day.
Return to the ship.
Enjoy a show.
Sit down to dinner.
And while we’re eating, Silver Spirit quietly carries us toward tomorrow’s adventure.
Tonight, that adventure was waiting across the Mediterranean.
Mallorca.





Tomorrow — Mallorca
Today we explored Salvador Dalí’s imagination in the hills of Catalonia.
Tonight, Silver Spirit turns south toward the Balearic Islands.
By morning, we’ll arrive in Palma de Mallorca.
Another island.
Another chapter of Spanish history.
And another completely different side of the Mediterranean.
After Gaudí in Barcelona and Dalí in Púbol, we’re leaving Catalonia behind.
Tomorrow: Mallorca.
Next: Palma de Mallorca →
September 28, 2026 – Barcelona, Spain – Barcelona — A City of Art, Architecture & Surprises

Gaudí’s Barcelona, sweeping views from Montjuïc—and an unexpected journey through Spain at Poble Espanyol
Where in the World Are We?

We are in Barcelona, Spain.
Barcelona — Finally
Two days ago, while sailing aboard Silver Spirit, Dr. Stephen Wessley introduced us to the extraordinary architecture of Antoni Gaudí.
We saw photographs of his remarkable houses.
Learned how he found inspiration in nature.
And watched the story of the Sagrada Família unfold from an ambitious idea into one of the world’s most recognizable buildings.
Today, those photographs became real.
We arrived in Barcelona.
Barcelona is one of those cities whose personality seems immediately recognizable—a Mediterranean city shaped by more than 2,000 years of history, but also by artists, architects and dreamers who weren’t particularly interested in following convention.
Roman Barcelona.
Medieval Barcelona.
Modernist Barcelona.
Olympic Barcelona.
They all exist together.
Our excursion today was appropriately called “An Overview of Barcelona.”
And that’s exactly what we were about to get.
Although the biggest surprise of the day wasn’t something we had expected at all.
A City Looking Toward the Mediterranean
Leaving the pier, Barcelona began unfolding almost immediately.
We passed the Columbus Monument and the Old Port before continuing toward the Arc de Triomf and Ciutadella Park, reminders of Barcelona’s transformation during the 1888 Universal Exposition.
Then came another Barcelona.
The Olympic Port.
The 1992 Summer Olympics transformed large sections of Barcelona’s waterfront, reconnecting the city with the Mediterranean and helping introduce modern Barcelona to the world.
Today, restaurants, promenades and yachts line an area once dominated by industry.
It was our first indication that Barcelona is a city particularly good at reinventing itself.
It preserves its past.
But it doesn’t seem afraid to change it.
Looking for Gaudí
Then we reached a street we were particularly interested in seeing.
Passeig de Gràcia.
Two days earlier, these buildings had been photographs on Dr. Wessley’s screen.
Now we were looking for them through the windows of our coach.
Here stand two of Antoni Gaudí’s most famous creations—Casa Batlló and Casa Milà.
Suddenly the unusual curves, organic shapes and almost complete disregard for ordinary straight lines that we had learned about at sea were right in front of us.
And we understood something.
Learning about a place before visiting it really does change the way you see it.
Without the lecture, we might simply have thought:
“That’s an unusual building.”
Now we knew why.
The Barcelona We Recognized
As our panoramic tour continued, one familiar Barcelona image followed another.
Grand boulevards.
Distinctive architecture.
Monuments.
Historic buildings.
And occasional glimpses of a city that somehow manages to look both very old and unmistakably modern.
These were the Barcelona sights we expected to see.
Then our excursion took us up toward Montjuïc.
And that’s where the day became considerably more interesting.






And Then We Found Spain Inside Barcelona
The biggest surprise of our Barcelona excursion came on Montjuïc Hill.
We entered Poble Espanyol—literally, the “Spanish Village.”
We expected another sightseeing stop.
Instead, we discovered something much more interesting.
Created as an architectural showcase, Poble Espanyol brings together 117 full-scale reproductions of buildings and streets representing different regions of Spain.
It is essentially a walk through Spanish architecture without having to travel across the entire country.
One turn might lead into an Andalusian street.
Another into a Catalan square.
Then a building inspired by another completely different region of Spain.
Churches.
Homes.
Workshops.
Plazas.
Archways.
All brought together into one walkable village.
At first, we expected to spend a little time looking around.
Then we kept walking.
And kept finding things we hadn’t expected.Walking Through Spain
The fun was simply wandering.
There wasn’t one building we needed to rush toward.
Instead, we moved from street to street and region to region.
Architectural styles changed.
Stone became stucco.
Balconies changed shape.
Plazas opened unexpectedly between narrow streets.
And occasionally we had to remind ourselves that these weren’t centuries-old Spanish villages scattered around the country.
We were still in Barcelona.
That may have been what made Poble Espanyol so enjoyable.
After days of guided excursions built around specific landmarks, here we could simply explore.
Turn a corner.
See what was there.
Take another photograph.
And keep walking.
Sometimes wandering is the itinerary.










Art Where We Didn’t Expect It
Architecture wasn’t the only thing competing for our attention.
As we wandered through Poble Espanyol, colorful wall art appeared among the traditional buildings.
It was an unexpected contrast.
Historic Spanish architectural styles on one side.
Contemporary artistic expression on the other.
And somehow, the two didn’t seem to fight with each other.
They made the village more interesting.
Another reminder that Spain’s artistic story didn’t end centuries ago.



At the Top of the Village
Eventually our wandering took us higher through the complex to a recreation of a monastery.
The mood changed immediately.
The lively streets and colorful artwork gave way to stone, religious imagery, and a much quieter atmosphere.
Once again, Poble Espanyol had transported us somewhere else.
But inside was another surprise.

Stories Painted on the Walls
Inside were reproductions of historic wall paintings whose originals are now preserved in a Catalan museum.
Among them were scenes telling one of the oldest stories in Western art.
Adam and Eve in the Garden of Eden.
In one scene, the serpent tempts Adam and Eve.
In another, they are driven from Paradise.
Centuries before movies, television, or even widespread literacy, paintings like these helped tell biblical stories visually.
People didn’t necessarily need to read the story.
They could see it on the church walls.
Standing there, we weren’t simply looking at decoration.
We were looking at an early form of visual storytelling.





One Final Surprise
Just when we thought we understood Poble Espanyol, it surprised us again.
Hidden within this recreation of historic Spain was a contemporary art museum.
In the span of one walk, we moved through centuries of Spanish architecture, encountered biblical scenes recreated from medieval wall paintings—and suddenly found ourselves surrounded by modern art.
It seemed like an unlikely combination.
But perhaps it was actually the perfect one.
Spain’s artistic story didn’t stop with medieval churches.
Or Renaissance painters.
Or Gaudí.
Artists kept experimenting.
And they still are.
That may have been the biggest lesson of our first day in Barcelona.
This is a city—and a country—that never seems to stop creating.



After a day exploring Barcelona—from Gaudí’s remarkable architecture to the unexpected discoveries of Poble Espanyol—we returned to Silver Spirit.
Barcelona had certainly lived up to its reputation as a city of art and architecture.
But our day wasn’t finished.
After spending the afternoon exploring centuries of Spanish creativity, it was time to enjoy another side of our Grand Mediterranean journey.
A relaxing dinner.
An evening in the theater.
And another performance by the talented Silversea Singers and Dancers.
A Familiar Table at Sea
Tonight we returned to one of our familiar favorites—Atlantide.
After days filled with excursions, museums, historic buildings, and thousands of steps, there is something wonderfully comfortable about returning to a restaurant where the surroundings—and increasingly the people—feel familiar.
That’s one difference between a short vacation and a 50-day voyage.
Little by little, the ship begins to feel like home.
We may wake up in a different country almost every morning.
But at the end of the day, familiar faces are waiting for us aboard Silver Spirit.
Tonight, Atlantide provided a relaxing pause between a busy day exploring Barcelona and the evening’s entertainment.


Emotion — Another Kind of Art
After dinner, we headed to the theater where the Silversea Singers and Dancers presented “Emotion.”
It seemed particularly appropriate after the day we had just experienced.
Barcelona had shown us creativity expressed through architecture, painting, sculpture and contemporary art.
Tonight aboard Silver Spirit, creativity took another form.
Music and dance.
The talented Silversea cast filled the stage with vocals, choreography, costumes and energy, bringing another full day to an entertaining conclusion.
One of the pleasures of this Grand Mediterranean voyage has been the variety.
During the day, we can walk through centuries of European history.
At night, we can sit back in a comfortable theater and watch talented performers bring an entirely different kind of art to life.
Barcelona has given us art all day.
Silver Spirit gave us one more expression of it tonight.




Tomorrow — From Gaudí to Dalí
Today, Barcelona introduced us to Antoni Gaudí’s imagination.
Tomorrow, another extraordinary—and very different—Catalan artist takes center stage.
Salvador Dalí.
Silver Spirit will carry us north along the Catalan coast to Palamós, then inland to Púbol, where we’ll visit the castle Dalí purchased and transformed for his wife and muse, Gala.
Then we’ll continue to the medieval village of Begur.
Gaudí turned buildings into something that sometimes seems almost imaginary.
Dalí turned imagination into art.
After everything we saw today in Barcelona, it seems appropriate that our journey through Catalonia’s remarkable creative world isn’t finished yet.
Today: Gaudí.
Tomorrow: Dalí.
Next: Palamós, Púbol & Begur →
September 27, 2026 – Valencia — Following the Silk Road Through Spain

Silk merchants and medieval streets, one extraordinary market, a taste of horchata—and a very welcome ice cream
Where in the World Are We?

We are in Valencia, Spain.
Back on Land
After yesterday’s relaxing day at sea, Silver Spirit brought us to Valencia this morning.
We were back on land.
And back to walking.
Valencia is Spain’s third-largest city, but today we weren’t headed for its futuristic architecture or Mediterranean beaches.
We were heading into the Old Town to follow a story that helped make Valencia wealthy centuries ago.
Silk.
For generations, silk wasn’t simply a beautiful fabric here.
It was an industry.
A source of wealth.
A highly skilled craft.
And an important link connecting Valencia with merchants throughout Europe and the wider Silk Road.
Today, traces of that history still remain throughout the old city.
So we set off to find them.
Into Old Valencia
Before we reached the silk story, Valencia gave us our first look at its historic center.
Elegant buildings surrounded broad plazas while balconies, decorative façades and church towers rose above the streets.
Like so many European cities, Valencia rewards you for looking up.
At street level are cafés and shops.
Above them are centuries of architectural details that are easy to miss if you’re in too much of a hurry.
Fortunately, today’s excursion was a walking tour.
Plenty of opportunities to look up.



The Fabric That Helped Build Valencia
Our first major stop introduced us to the industry that helped shape Valencia for centuries.
Silk.
We visited the College of High Silk Art, housed in the historic headquarters of the organization established in 1477 to regulate Valencia’s silk makers and maintain quality standards.
That alone tells you how important silk had become.
This wasn’t simply a cottage industry.
Silk production required specialized skills, strict standards, and generations of craftsmen who understood everything from preparing the thread to weaving elaborate fabrics.
Inside the museum, we learned how painstaking that process could be.
Before modern machinery, every intricate pattern represented hours of skilled work.
The finished fabrics became clothing, furnishings, and symbols of wealth and status.
Even today, traditional Valencian clothing preserves that heritage in brilliantly colored and intricately woven fabrics.
The finished silk is easy to look at.
Understanding how much work went into creating it gives you an entirely different appreciation for it.








From Silk to Something More Delicious
Eventually our silk trail led us somewhere considerably more appetizing.
Valencia’s Central Market.
The enormous early-20th-century market is filled with hundreds of stalls selling the ingredients of everyday Valencian life.
Fruit and vegetables.
Meat.
Fish and seafood.
Cheeses.
Spices.
Olives.
And foods we couldn’t always identify right away.
Markets are among our favorite places to see how a city actually lives.
Cathedrals tell you about a city’s history.
Palaces tell you about its rulers.
Markets tell you what people eat for dinner.
And after spending the morning learning about silk, we were ready for something we could actually taste.


A Taste of Valencia
Then it was time to taste something distinctly Valencian.
Horchata and fartons.
Valencian horchata is a cool, sweet drink made from tiger nuts.
Despite the name, tiger nuts aren’t actually nuts. They’re small tubers, and in Valencia they are transformed into a refreshing drink that is especially welcome on a warm day.
And apparently horchata shouldn’t have to travel alone.
It comes with a companion.
Fartons.
These long, soft, slightly sweet pastries are traditionally dipped into the horchata.
So, naturally, we followed local custom.
After several hours of walking through Valencia, this tradition required little convincing.



Where Silk Became Wealth
Our silk trail eventually led to the building that brought everything we had seen together.
The Silk Exchange.
If the Silk Museum showed us how silk was made, the Silk Exchange showed us how silk became money.
Built beginning in the late 15th century, this magnificent Gothic building became a center of commerce where merchants gathered to negotiate and trade.
Imagine it centuries ago.
Silk arriving from workshops throughout Valencia.
Merchants arriving from across Europe.
Contracts being negotiated.
Prices being agreed upon.
Fortunes being made.
The building itself reflected the importance of what happened inside.
Soaring, twisted columns rise toward the vaulted ceiling, creating a space that feels more like a cathedral than a marketplace.
But the religion practiced here was commerce.
Silk helped connect Valencia to a trading network stretching far beyond Spain.
Standing inside, the story we had been following all morning finally came together.
The artisans made the silk.
The merchants turned it into wealth.
And Valencia prospered from both.

Church Towers Above the Streets
Silk may have been the theme of our excursion, but it was impossible to walk very far through old Valencia without encountering another part of the city’s history.
Its churches.
Bell towers and domes appeared above narrow streets.
Elaborate façades emerged unexpectedly between neighboring buildings.
Some were grand.
Others seemed almost hidden.
Together they created the skyline of a city that had been growing and rebuilding itself for centuries.
We didn’t need to enter every church to appreciate them.
Sometimes simply discovering one around the next corner was enough.





The Valencia Between the Landmarks
By now, we had learned something about Valencia.
Some of its best moments happened between the scheduled stops.
A narrow street.
An ornate balcony.
A little plaza.
A café.
A doorway that made us stop for another photograph.
The itinerary may have called this a Silk Road Walking Tour.
But walking gave us something a bus never could.
Time to notice the city between the landmarks.
And Valencia gave us plenty to notice.





Art Under Our Feet
Even the surfaces around us demanded attention.
Valencia has a long tradition of decorative ceramics and tile work, and colorful patterns appeared on buildings and architectural details throughout our walk.
It was another reminder to keep looking in every direction.
Up at the church towers.
Across at the balconies.
Into the markets.
And occasionally—
down.


The Best Stop Wasn’t on the Itinerary
By the end of four hours walking through Valencia, we had learned about silk.
Visited a museum.
Explored a market.
Tasted horchata.
Seen the Silk Exchange.
Photographed churches.
And walked a lot of streets.
It was warm.
We were hot.
And suddenly the most important attraction in Valencia had nothing whatsoever to do with history.
Cooling spray and ice cream.
Sometimes the best travel experiences are carefully planned months in advance.
And sometimes they appear exactly when you need them.
On this particular afternoon, a little cold mist and an ice cream tasted every bit as memorable as a UNESCO World Heritage Site.
Maybe better.
History feeds the mind.
Ice cream after four hours of walking feeds everything else.



Two More Valencia Surprises
We thought our sightseeing was finished.
But on the walk back to Silver Spirit, Valencia gave us two more little surprises.
Yes, Valencia Really Does Have Oranges
First came the oranges.
After all, we were in Valencia.
Orange trees appeared along the streets, their bright fruit standing out against the green leaves.
Valencia and oranges have been linked in our minds for as long as we can remember, so it felt satisfying to finally see them growing right here in the city.
Not in a grocery store.
Not in a fruit crate.
On the streets of Valencia.
Sometimes the things you’ve heard about a place all your life are really there, waiting for you.
Even the Crosswalks Made Us Stop
Then we noticed something considerably more modern.
Valencia’s pedestrian signals weren’t only mounted on poles.
The “walk” and “don’t walk” signals were also built directly into the granite pavement beneath our feet.
It made perfect sense.
People walking through a modern city are often looking down—especially at their phones—rather than up at a traffic signal.
So Valencia brought the traffic signal down to them.
After spending the morning looking up at church towers, across at balconies and down at centuries-old decorative tiles, we now found ourselves looking down for an entirely different reason.
Even Valencia’s crosswalks gave us something to photograph.
With that, our walking tour was finished.
It was time to head home to Silver Spirit.



From Valencia to an Evening Aboard
By the time we reached Silver Spirit, Valencia had given us considerably more than we expected.
Silk and medieval merchants.
Markets and churches.
Horchata and fartons.
Beautiful tile work.
A very welcome ice cream.
Valencia oranges.
And even traffic signals beneath our feet.
Now it was time to trade our walking shoes for an evening aboard.
Music.
A special dinner.
Another headline performance.
And, before the night was over, one final surprise in the sky.
Rhapsody — A Celebration of Rock Legends
Back aboard Silver Spirit, our evening began at 6:00 PM with the Silversea Singers and Dancers presenting Rhapsody.
The show celebrated the music of three legendary performers whose songs have provided part of the soundtrack of our lives:
Billy Joel. Elton John. Queen.
These are songs that need very little introduction. Within the first few notes, you recognize them—and often find yourself singing along.
The Silversea cast brought that familiar music to life with powerful vocals, colorful costumes, energetic choreography, and the excitement of a live stage performance.
After spending our morning following Valencia’s centuries-old Silk Road, we were suddenly transported into the music of our own generation.
From medieval silk merchants to Piano Man, Rocket Man, and Bohemian Rhapsody.
Quite a change of pace.
And quite a way to begin the evening.




A Special Evening at La Dame
After Rhapsody, we slowed things down considerably with dinner at La Dame, Silver Spirit’s intimate specialty French restaurant.
La Dame is the kind of restaurant where dinner isn’t something to hurry through.
It is the evening.
We began with French white and red wines, followed by foie gras and a rich lobster bisque.
For the main course, we enjoyed La Dame’s version of surf and turf—filet mignon paired with Dover sole.
It was elegant, leisurely, and a wonderful contrast to the energy of the show we had just enjoyed.
One of the pleasures of a long Silversea voyage is that returning to the ship doesn’t necessarily mean the day’s experiences are over.
Sometimes an entirely new experience awaits us at dinner.
And tonight, La Dame made returning “home” to Silver Spirit particularly enjoyable.




Michael Bucala — The Magic Continues
After our special dinner at La Dame, we returned to the theater for another performance by headline entertainer Michael Bucala.
We had enjoyed Michael’s “The Magic of the Violin” the previous evening, so we already knew that this would be much more than a traditional violin concert.
Once again, Michael combined extraordinary musicianship with showmanship, humor and an obvious love of performing.
In his hands, the violin could be elegant and romantic one moment, then powerful and energetic the next.
What made the performance especially enjoyable was Michael’s connection with the audience. He wasn’t simply playing for us—he made us feel part of the evening.
After two nights of watching him perform, we understood why he has been such a popular headline entertainer aboard Silver Spirit.
It was another wonderful performance and a fitting conclusion to a very full day.
Or so we thought.
Silver Spirit still had one more show waiting for us.

A Harvest Moon Over the Mediterranean
When we stepped outside later that evening, the day’s final performance wasn’t taking place in the theater.
It was overhead.
A magnificent Harvest Moon was shining above the Mediterranean.
After a day filled with Valencia’s Silk Road, medieval streets, markets, horchata, oranges, music, an elegant dinner at La Dame and Michael’s violin, everything suddenly became quiet.
No stage.
No orchestra.
No spotlight.
Just the moon, the sea and Silver Spirit carrying us toward Barcelona.
Travel is often about the things we plan months in advance—the cities, excursions, restaurants and performances.
But sometimes one of the day’s most memorable moments isn’t planned at all.
You simply happen to be in the right place at the right time.
And you remember to look up.
Tonight, we did.
I would make your Harvest Moon photograph the final large image of the September 27 post, immediately before the “Tomorrow: Barcelona” section. It gives Valencia a much more graceful ending than finishing with the entertainment.
Then your Barcelona teaser can begin:

Tomorrow: Barcelona — From Lecture to Reality
Two days ago, while sailing toward Valencia, Dr. Stephen Wessley introduced us to Antoni Gaudí’s extraordinary world.
We saw his remarkable houses.
We saw the whimsical shapes and colors of Park Güell.
And, of course, his masterpiece—the Sagrada Família.
We learned how Gaudí looked to nature for inspiration, turning trees, flowers, bones, caves, and waves into architecture unlike anything the world had seen before.
At the time, we were sitting comfortably aboard Silver Spirit looking at photographs on a screen.
Tomorrow, those photographs become real.
Silver Spirit will bring us into Barcelona, one of the great cities of the Mediterranean.
And thanks to what we learned at sea, we’ll arrive knowing a little more about what we’re looking at—and the extraordinary man who helped give Barcelona its unmistakable identity.
We’ve seen the photographs.
We’ve heard the story.
Tomorrow, we meet Gaudí’s Barcelona for ourselves.
Next: Barcelona →
September 26, 2026 – A Day at Sea — Discovering the Genius of Gaudí

Gaudí and Barcelona by morning, a celebration of Silver Spirit by evening—and nowhere we needed to be in between.
Where in the World Are We?

We are enjoying a day at sea en route to Valencia and then Barcelona, Spain.
Nowhere We Needed to Be
After five consecutive days exploring Casablanca, Tangier, Cádiz, Gibraltar, Málaga and Mijas, this morning brought a welcome change of pace.
A day at sea.
Silver Spirit was carrying us east through the Mediterranean toward Valencia, Spain.
No tour bus waited at the pier.
No palace opening at 9:00.
No cathedral to find.
And definitely no donkey taxi.
For the first time since leaving Lisbon, we had an entire day to enjoy the ship.
But one of the pleasures of a Silversea sea day is that doing nothing is entirely optional.
This morning, instead of exploring another city, we decided to learn more about one still ahead of us.
Barcelona.
And more specifically, the man who changed the way Barcelona looks forever.
Antoni Gaudí.
Barcelona Before We Get There
One advantage of traveling by ship is the chance to understand a destination before walking its streets.
This morning, destination lecturer Dr. Stephen Wessley took us ahead to Barcelona through the remarkable life and work of Antoni Gaudí.
Barcelona would still be several days away.
But by the end of the lecture, we would never look at the city—or its buildings—the same way.
Gaudí didn’t seem particularly interested in making buildings look like other buildings.
He looked instead to nature.
Trees.
Flowers.
Bones.
Shells.
Waves.
Caves.
And the shapes and structures that occur naturally all around us.
Then he translated those ideas into architecture.
The result was a Barcelona unlike any other city in the world.

When Architecture Becomes Nature
Gaudí’s imagination wasn’t limited to buildings.
At Park Güell, architecture seems to grow out of the landscape.
Columns resemble tree trunks.
Stonework follows the hillside’s curves.
Bright mosaics transform ordinary surfaces into explosions of color.
And almost nothing seems perfectly straight.
That wasn’t accidental.
Gaudí believed nature provided the best models for architecture.
Walking through one of his creations can feel less like entering a building or park and more like entering someone’s imagination.
Remarkably, more than a century later, his imagination still feels modern.


Houses That Don’t Look Like Houses
Then came Gaudí’s houses.
Here his imagination became even more obvious.
Façades ripple instead of standing flat.
Balconies twist into unusual shapes.
Roofs become sculptures.
Chimneys become works of art.
Even windows and doors seem to resist the idea that buildings should be made from straight lines and right angles.
Imagine commissioning Gaudí to design your home in Barcelona more than a century ago.
Your neighbors must have wondered what on earth you were doing.
Today, those same buildings are among the city’s most recognizable landmarks.
Sometimes being ahead of your time requires being willing to look a little strange in your own.



A Cathedral and a City Grow Together
Nothing illustrates Gaudí’s extraordinary vision better than the Sagrada Família.
One of Dr. Wessley’s most fascinating comparisons showed the church in its early years and the Barcelona that surrounds it today.
When construction began, the site stood beyond the densely developed heart of Barcelona.
Then something remarkable happened.
The church grew.
And Barcelona grew around it.
Generation after generation watched towers rise slowly above the city.
Gaudí himself knew he would never see his masterpiece completed.
The project was simply too ambitious.
But he devoted the final years of his life to it, leaving behind plans, models, and ideas for future architects to continue.
More than a century later, they still are.
The result isn’t simply a famous church.
It is a building that has been growing alongside Barcelona itself.


A Building That Tells a Story
From the outside, Sagrada Família can almost be overwhelming.
No single façade tells the whole story.
Sculptures cover the surfaces.
Towers stretch upward.
Biblical scenes emerge from stone.
And different sides of the building have dramatically different personalities.
Gaudí wasn’t merely designing a church.
He was trying to tell Christianity’s story through architecture.
The building was meant to be read as much as viewed.
And every direction seems to reveal something different.



Walking Into a Forest of Stone
If the outside of Sagrada Família is complex, the inside is something entirely different.
Gaudí imagined the great columns as trees.
They rise from the floor and branch outward overhead, creating the feeling of standing beneath a stone forest.
Then comes the light.
Colored glass transforms sunlight into brilliant reds, blues, greens, and yellows that move across the interior as the sun changes position throughout the day.
Morning creates one atmosphere.
Afternoon another.
And at night, when illuminated, the building changes again.
Gaudí wasn’t simply designing what people would see.
He was designing how the space would feel.
Looking at Dr. Wessley’s images, it was easy to understand why visitors sometimes forget to look straight ahead.
There is simply too much happening above them.



“Done?”
Then Dr. Wessley posed an interesting question.
Is Sagrada Família finally finished?
2026 marks the 100th anniversary of Gaudí’s death.
As part of that milestone, a Holy Cross was placed atop a major spire, creating a symbolic moment in the building’s extraordinary construction story.
After more than a century, it was tempting to declare:
“Done.”
Except it isn’t quite that simple.
Work continues on other parts of the basilica and its façades.
Perhaps that is appropriate.
Gaudí began a project he knew he would never finish.
Generations after his death continued it.
And now, a century later, Barcelona is still completing his vision.
Few architects have ever had the opportunity to watch their greatest creation take shape for 100 years after they were gone.
Gaudí somehow did.

Fool or Genius?
Dr. Wessley ended with perhaps the best story of the morning.
Early in Gaudí’s career, even those evaluating his work apparently struggled to decide what they were seeing.
Was this young architect brilliant?
Or simply eccentric?
The question was essentially:
Fool or genius?
More than a century later, Barcelona has answered.
Gaudí’s buildings attract visitors from around the world.
His architectural language is instantly recognizable.
His work helped shape the visual identity of an entire city.
And the Sagrada Família has become one of the world’s most recognizable buildings.
The man whose ideas once seemed strange ultimately changed the way millions of people see Barcelona.
Genius seems to have won.
And thanks to Dr. Wessley’s lecture, when we finally arrive in Barcelona, we’ll know much more about what we’re looking at.


From Barcelona Back to Silver Spirit
By the end of Dr. Wessley’s lecture, we had traveled through more than a century of Barcelona’s architectural history without ever leaving Silver Spirit.
That is one of the things we enjoy about days at sea.
There is time to learn.
Time to relax.
And time to enjoy the ship itself.
By afternoon, our attention shifted from the destinations still ahead of us to something equally important on a long voyage.
The people who make Silver Spirit our home at sea.
The People Behind the Journey
Later in the day, Captain Kulas hosted a Farewell and Crew Parade marking the end of this segment of the voyage.
On a short cruise, it’s easy to focus mostly on the destinations.
On a long voyage, something different happens.
The ship begins to feel like home.
The waiter who remembers what you like to drink.
The room attendant who somehow restores order while you are at breakfast.
The restaurant staff who greet you by name.
The officers and crew who quietly keep Silver Spirit moving from one country to another.
Many work behind the scenes, and passengers may rarely see them.
The Crew Parade brought them into the spotlight.
As department after department appeared, the applause wasn’t simply for a job well done.
It was our opportunity to say:
Thank you.
They make this extraordinary way of traveling possible.

A Little Motown at Sea
The celebration continued with the Silversea Singers and Dancers and their production of “Motown.”
It was difficult to sit still.
The music of Motown has that effect.
Familiar songs, energetic choreography, and the unmistakable rhythms that helped define a generation filled the room.
After a morning devoted to Antoni Gaudí’s imagination, the afternoon belonged to another kind of creativity.
Music.
Dance.
And songs that somehow sound familiar from the very first note.
A day at sea was turning out to be anything but uneventful.



Dinner at Atlantide
After the Crew Parade and Motown, we returned to a familiar favorite for dinner—Atlantide.
By this point in the voyage, Atlantide was beginning to feel less like a cruise-ship restaurant and more like our neighborhood restaurant at sea.
We knew the room.
We recognized the staff.
And there was something wonderfully relaxing about sitting down to dinner knowing that Silver Spirit was quietly carrying us toward another destination.
No packing.
No airport.
No hotel change.
Just dinner—and tomorrow morning, another city.
But our sea day still wasn’t over.
One more performance was waiting for us.



The Magic of the Violin
Our final entertainment of the evening brought an entirely different kind of energy to the stage.
Award-winning violinist Michael Bacala presented “The Magic of the Violin.”
Anyone expecting a quiet classical violin recital quickly discovered that Michael had something else in mind.
His performance combined beautiful violin playing with energy, personality, and humor, turning an instrument most often associated with a symphony orchestra into the center of a lively stage show.
At times elegant.
At times powerful.
And always entertaining.
Michael seemed to enjoy the audience almost as much as the audience enjoyed him.
It was a fitting ending to a day that had taken us from Gaudí’s Barcelona to a Crew Parade, Motown, dinner at Atlantide, and finally the magic of a violin.
And we had done all of it without ever stepping ashore.
So much for a quiet day at sea.




Tomorrow: Valencia
Our day at sea had given us exactly what we needed after nearly a week of exploring.
No buses.
No long walks.
No schedule dictated by a port.
But somehow we still managed to fill the day with Gaudí, Barcelona, a Crew Parade, Motown, a wonderful dinner, and an unforgettable violinist.
Tonight, Silver Spirit continued sailing east along the Spanish coast.
By morning, the sea day would be over.
Another gangway would open.
Another city would be waiting.
Next: Valencia, Spain →
September 25, 2026 – Mijas — Whitewashed Hills & Donkey Taxis

A picture-perfect Andalusian village, colorful streets, local crafts—and a little fun with Mijas’ most famous residents
Where in the World Are We?

We are in Málaga, Spain.
Into the Hills of Andalusia
Yesterday, Málaga gave us Roman ruins, Moorish fortresses, a magnificent cathedral and the passion of flamenco.
Today, we traded the city for the mountains.
Our destination was Mijas, one of Andalusia’s famous white villages, tucked into the hills high above the Costa del Sol.
As we climbed away from Málaga, the Mediterranean gradually disappeared below us and the landscape changed.
Then Mijas came into view.
Whitewashed houses seemed to tumble down the hillside, interrupted by terracotta roofs, church towers and splashes of brilliant color from flowers hanging against the white walls.
It looked exactly like the Andalusian village we had imagined.
But Mijas also has something most villages don’t.
Donkey taxis.
Donkey taxis have become one of Mijas’ symbols.
Their story goes back to the days when local workers used donkeys to carry materials and people through these steep mountain streets. Visitors apparently began asking the workers for rides—and discovered that transporting tourists could sometimes be more profitable than transporting goods.
Eventually, a Mijas tradition was born.
Today, images of donkeys seem to appear everywhere.
And Sandy found one almost immediately.
Fortunately, this particular donkey was extremely cooperative.
Of course, it was also made of bronze.
Sometimes it’s easier to get a good travel photograph when your subject doesn’t move.



A Village Made for Wandering
Once we left the donkeys behind, we did what Mijas seems designed for.
We wandered.
Narrow streets climbed and curved between brilliant white buildings.
Blue ceramic flowerpots decorated walls.
Iron balconies overflowed with plants.
Terracotta steps disappeared around corners.
And almost every turn seemed to produce another photograph.
Unlike yesterday’s Málaga excursion, we didn’t have one great monument to reach.
Mijas itself was the attraction.
We could slow down.
Look into shops.
Climb another street.
Stop for a photograph.
And occasionally turn around to see how far up the hillside we had wandered.
Sometimes the best travel days aren’t about checking famous landmarks off a list.
They’re simply about enjoying where you are.





White Walls, Blue Pots & Flowers
Mijas has learned how to make white walls anything but boring.
Bright blue ceramic pots filled with flowers and greenery decorate walls throughout the village, while patterned tiles turn ordinary stairways into photo-worthy spots.
Against all that white, every color seems brighter.
And, as Sandy discovered, almost every staircase becomes a photo opportunity.

A Little Shopping Along the Way
Of course, wandering through Mijas also meant wandering past plenty of temptation.
Small shops displayed leather goods, colorful ceramics, decorative pieces and locally inspired crafts.
The same bright colors we’d seen on balconies and walls appeared on pottery and decorations inside the shops.
We may have come to see the village.
But Mijas was perfectly happy to give us opportunities to take a little of it home.




At the Top of Mijas
Our wandering eventually took us toward the top of the village, where we discovered two landmarks that revealed another side of Mijas.
The first was something we certainly didn’t expect to find tucked among these whitewashed mountain streets.
A bullring.
A Bullring With a Difference
Mijas’ bullring was built in 1900 after local residents petitioned for one of their own.
But this isn’t a typical Spanish bullring.
Instead of being perfectly round, the arena has an unusual oval shape, making it one of Mijas’ most distinctive landmarks.
It was inaugurated on September 8, 1900—the feast day honoring the village’s patron saint.
More than a century later, the little bullring remains tucked into the hillside near Mijas’ old walls.
From the outside, you could easily walk past without realizing what was behind those walls.
A Church Built Beside a Watchtower
Nearby stands the Church of the Immaculate Conception, another reminder that there is considerably more history in Mijas than its pretty streets might suggest.
Construction began in the second half of the 16th century and was completed in 1631.
But one part of the church is even older.
The church was built beside the Torre de la Vela, a defensive tower constructed as a refuge where villagers could seek protection in the event of an attack. The old tower eventually became the church’s bell tower.
During renovations in 1992, workers uncovered paintings of eight apostles dating to around 1632.
It was another wonderful example of what we were discovering throughout Andalusia.
A building may look like a church today.
But underneath—or beside it—there is often another story.
And from high above Mijas, with the white village below us and the Mediterranean in the distance, it was easy to understand why people have chosen this hillside as their home for centuries.



Back Home Aboard Silver Spirit
By afternoon, we left the whitewashed hills of Mijas and returned to Silver Spirit.
After several consecutive days of sightseeing, we were settling comfortably into our Grand Mediterranean routine.
Go ashore.
Explore somewhere completely different.
Take far too many photographs.
Return to the ship.
And somehow still be ready for dinner.
Tonight we were back at Atlantide.
But the evening wouldn’t end quietly.
There was a party waiting upstairs.




Rock the Boat
After dinner, the party moved outside.
Under the stars, the Silversea Singers and Dancers presented “Rock the Boat,” an evening of music and dance built around familiar party hits.
After spending the morning wandering through a quiet Andalusian mountain village, we were now dancing under the stars aboard Silver Spirit.
Another day.
Another complete change of scenery.
But Silversea wasn’t finished with us yet.
Because apparently music and dancing weren’t enough.
There was chocolate.


And Then Came the Chocolate
As if the evening needed anything else, Silversea followed the party with a Chocolate Extravaganza.
Chocolate desserts appeared in almost every form imaginable.
After a full dinner at Atlantide, none of us actually needed chocolate.
That, however, was completely beside the point.
Some decisions on a 50-day cruise require careful thought.
This was not one of them.


Tomorrow: Nowhere to Be
After Casablanca, Tangier, Cádiz, Gibraltar and two days exploring Málaga and Mijas, tomorrow would bring something we were beginning to appreciate.
A day at sea.
No alarm for an excursion.
No tour bus.
No palace, cathedral, fortress or donkey taxi waiting for us.
Just Silver Spirit, the Mediterranean—and an entire day with nowhere else we needed to be.
After our first week of the Grand Mediterranean voyage, that sounded pretty good.
Next: A Day at Sea →
September 24, 2026 – Málaga — From Sunrise to Flamenco

A spectacular arrival, Moorish fortresses, the heart of old Málaga, and an unforgettable Spanish evening
Where in the World Are We?

We are in Málaga, Spain.
A Málaga Sunrise
Some cities make a memorable first impression before you ever step ashore.
Málaga was one of them.
We awoke aboard Silver Spirit to a beautiful sunrise spreading across the Costa del Sol, bathing the coastline and city in warm morning light.
After the dramatic Rock of Gibraltar yesterday, Málaga presented a completely different face of southern Spain.
Palm trees.
Beaches.
A Mediterranean harbor.
Ancient fortresses rising above a modern city.
Málaga has long been known as a gateway to the beaches of the Costa del Sol, but today we’ll discover there is much more here than sunshine and sand.
Our excursion would take us through nearly 2,000 years of Málaga history—from Roman ruins and Moorish fortresses to Renaissance churches and the lively streets of the modern city.
And the best place to begin was high above it all.

Málaga From Above
Our first stop took us high above the city to Gibralfaro.
From the ramparts, Málaga spread out beneath us.
The harbor.
The Mediterranean.
The city.
The bullring.
And, somewhere below, Silver Spirit waiting at the pier.
From up here, Málaga’s geography—and its history —was easy to understand.
For centuries, whoever controlled these heights had an extraordinary view of anyone approaching the city by land or sea.
Today, fortunately, the only invading forces were tourists carrying cameras.
And we were among them.
The view gave us our first real sense of Málaga.
Now it was time to head down and explore what we had been looking at from above.



Two Civilizations — One Hillside
Back at street level, Málaga’s long history became much easier to see.
At the foot of the Alcazaba, we found the remains of a Roman theater.
Above it rises an enormous Moorish fortress.
Two civilizations.
Separated by centuries.
Almost on top of one another.
The Romans built here when Málaga was part of their empire.
Centuries later, Muslim rulers constructed the Alcazaba on the hillside above, creating a fortified palace with walls, towers, courtyards, and gardens.
Walking here, Málaga’s history doesn’t feel neatly divided into chapters.
One civilization simply seems to have built upon another.
Roman Málaga below.
Moorish Málaga above.
And the modern Spanish city surrounding both.
Few places illustrate the layers of Andalusian history quite so clearly.





The Cathedral With a Nickname
From the Alcazaba, we continued through the historic center toward Málaga Cathedral.
After the defensive walls and Moorish architecture of the Alcazaba, the Cathedral presented yet another chapter in the city’s history.
Inside, soaring columns draw the eye upward while beautifully carved choir stalls and Spanish Renaissance sculpture fill the enormous interior.
But Málaga’s Cathedral has another distinction that makes it especially memorable.
It has a nickname.
Locals affectionately call it “La Manquita” — “The One-Armed Lady.”
The reason becomes apparent when you look at the façade.
One of the Cathedral’s two planned towers was never completed.
What might have been considered an architectural flaw instead became part of the building’s identity.
Sometimes what isn’t finished becomes the thing everyone remembers.

The Málaga Between the Monuments
History may have brought us into the center of Málaga, but the modern city made us want to linger.
Between the major sights were pedestrian streets, cafés, balconies, small plazas, and the everyday activity of a Spanish city enjoying a beautiful day.
That contrast is part of Málaga’s appeal.
Roman ruins can sit beside a café.
A Moorish fortress can overlook a modern harbor.
A Renaissance cathedral can rise above streets filled with shops and restaurants.
And the Mediterranean is never very far away.
Málaga doesn’t seem trapped by its history.
It simply lives among it.






Back Aboard Silver Spirit
After a morning exploring Málaga, we returned to Silver Spirit for another relaxing evening aboard.
Dinner was in Atlantide, which was quickly becoming one of our familiar favorites.
That is one of the pleasures of a long cruise.
The destinations change every day.
But when we return aboard, familiar faces, familiar restaurants, and our own suite are waiting for us.
Tonight, however, dinner was only the beginning.
Spain had one more experience waiting for us.



The Passion of Flamenco
Our day in Málaga ended with something unmistakably Spanish.
Flamenco.
From the first sharp rhythm of the dancer’s shoes, the energy changed.
Flamenco isn’t simply dancing.
It is music, rhythm, and emotion coming together at once.
Hands clap.
Heels strike the floor.
Guitars drive the rhythm.
And the dancers seem to communicate as much through expression and movement as through the dance itself.
There is passion in it.
Drama.
Pride.
And an intensity that photographs can capture only partially.
After spending the morning learning about Málaga’s Roman, Moorish, and Christian past, flamenco brought us back to the living culture of Andalusia.
It was the perfect way to end our first day in Málaga.
We began with a sunrise over Spain.
We ended with Spain’s rhythms.




Tomorrow: Into the Hills
Our first day in Málaga had taken us through centuries of history.
Roman ruins.
Moorish fortresses.
A Renaissance cathedral.
Modern Málaga.
And finally, flamenco.
But tomorrow we would leave the city behind.
Silver Spirit would remain in Málaga while we headed into the mountains of Andalusia to visit one of Spain’s famous white villages.
And apparently, transportation there comes with four legs and very long ears.
Tomorrow: Mijas and the Donkey Taxis →
September 23, 2026 – Gibraltar — At the Crossroads of Two Continents

The Rock, views toward Africa, an underground wonder, and Gibraltar’s famous monkeys
Where in the World Are We?

We are in Gibraltar
There Was No Mistaking Where We Were
This morning, Silver Spirit brought us to one of the Mediterranean’s most recognizable landmarks.
The Rock of Gibraltar.
Rising dramatically above the harbor, the massive limestone Rock dominates this tiny British territory at the southern tip of the Iberian Peninsula.
But Gibraltar’s importance isn’t really about its size.
It’s about location.
Here, Europe and Africa are separated by only a narrow stretch of water. The Atlantic meets the Mediterranean. And for centuries, ships traveling between the two have passed beneath the watchful eye of the Rock.
Today we would see Gibraltar from several very different perspectives.
We would stand at the edge of Europe looking toward Africa.
Climb high onto the Rock.
Go inside it.
And meet some of Gibraltar’s most famous—and mischievous—residents.
Where Two Worlds Almost Touch
Our first stop was Europa Point, near Gibraltar’s southernmost end.
This is one of those places where looking at a map suddenly becomes unnecessary.
Standing here, you can actually see the geography.
Behind us was Europe.
Across the Strait was North Africa.
To one side, the Atlantic Ocean.
To the other, the Mediterranean Sea.
On a clear day, Morocco’s mountains are visible across the water, making Africa seem remarkably close.
For centuries, ships entering or leaving the Mediterranean have passed through this narrow gateway.
Phoenician traders.
Roman ships.
Spanish galleons.
British warships.
And today, enormous cruise ships and container vessels.
We were standing beside one of the world’s great maritime crossroads.
And towering behind us was the reason Gibraltar has been fought over for centuries.
The Rock.






Inside the Rock
From Gibraltar’s enormous views, we entered an entirely different world.
We went inside the Rock.
Hidden within the limestone is St. Michael’s Cave, an enormous natural cavern filled with stalactites hanging from above and stalagmites rising from below.
For thousands of years, mineral-rich water has slowly shaped these formations—one drop at a time.
Some look like enormous stone curtains.
Others resemble columns joining the floor and ceiling.
And everywhere we looked, nature seemed to have created another strange shape.
But today’s St. Michael’s Cave combines that ancient geology with something very modern.
The Awakening
In 2021, the cave underwent a major transformation with the introduction of “The Awakening,” an immersive light-and-sound experience.
Colored lights and 360-degree projections move across formations that took nature thousands of years to create, accompanied by music and spatial audio.
The effect is extraordinary.
One moment the cavern disappears into darkness.
The next, an enormous rock formation emerges in brilliant color.
It is an unusual combination:
Millions of years of geology illuminated by 21st-century technology.
And standing there beneath the Rock, it worked beautifully.




The Real Owners of the Rock
When we emerged from St. Michael’s Cave, another Gibraltar attraction awaited us.
The Barbary macaques.
They’re often called the “Rock Apes,” although technically they are tailless monkeys.
And they behave as though they own Gibraltar.
Perhaps they do.
They sit casually on walls and railings.
Walk through groups of tourists.
Pose for photographs.
And watch closely for anyone carrying food.
There is even a long-standing legend that as long as the macaques remain on Gibraltar, Gibraltar will remain British.
Whether the monkeys know about this responsibility is unclear.
They seemed considerably more interested in tourists and snacks.
After looking across continents and exploring an enormous underground cavern, we found ourselves completely entertained by a group of monkeys.
Sometimes travel works that way.





Centuries Written Into the Rock
As we descended from the Upper Rock, Gibraltar’s human history came back into view.
We passed the Moorish Castle and its Tower of Homage, reminders that Gibraltar’s strategic importance long predates British rule.
For centuries, different powers understood the same thing:
Whoever controlled Gibraltar occupied an extraordinary position at the entrance to the Mediterranean.
Moorish rulers.
Spanish forces.
The British.
All left their marks.

Eventually we descended toward the Upper Town and Main Street, where Gibraltar’s unusual personality becomes especially apparent.
British signs and traditions mix with Mediterranean architecture and sunshine.
English is spoken.
British pounds are spent.
And red telephone boxes can appear beneath palm trees.
Few places combine identities quite like Gibraltar.
It is unmistakably British.
But it doesn’t feel quite like Britain.
And perhaps that’s exactly what makes it Gibraltar.




Back Aboard
By late afternoon, we were back aboard Silver Spirit.
For such a small territory, Gibraltar had packed an extraordinary amount into a few hours.
We had stood in Europe looking toward Africa.
Seen where the Atlantic meets the Mediterranean.
Climbed the Rock.
Gone inside it.
Met its monkeys.
And traveled through centuries of military history on the way back down.
Sometimes the smallest places produce the fullest days.
From the Rock to Big Band
Our evening ended in the Venetian Lounge with West End performer Glenn Macnamara.
Glenn took contemporary pop, soul and swing favorites and transformed them into a modern big-band performance.
It was another example of the contrasts we were quickly becoming accustomed to aboard Silver Spirit.
By afternoon we had been standing inside a limestone cavern surrounded by stalactites and monkeys.
By evening we were dressed for dinner and listening to big-band swing.
Just another day on the Grand Mediterranean.

Tomorrow: Málaga
Gibraltar had been one of the most geographically fascinating stops of our voyage so far.
A tiny territory.
A gigantic Rock.
Two continents.
Two bodies of water.
Thousands of years of history.
And a few monkeys who apparently believe the whole place belongs to them.
Tonight, Silver Spirit continued east along the Andalusian coast.
Tomorrow morning we would wake up in Málaga, where another side of southern Spain was waiting for us.
Next: Málaga, Spain →
September 22, 2026 – Cádiz — 3,000 Years by the Sea

Ancient streets, elegant plazas, a golden-domed cathedral, and a walk through one of Europe’s oldest cities
Where in the World Are We?

We are in Cadiz, Spain.
CADIZ, SPAIN
Cádiz: Atlantic Grace and Ancient Horizons
Among Andalusia’s most atmospheric ports, Cádiz sits almost entirely surrounded by the Atlantic, its watchtowers and sea-washed facades reflecting more than 3,000 years of history. Founded by the Phoenicians and later central to Spanish trade and exploration, the city reveals itself through narrow cobbled lanes, lively plazas, and a breezy elegance shaped by salt air and light. It is a place to wander slowly, where every turn feels touched by maritime memory and southern charm, for a stop that feels both intimate and unforgettable.
Back in Europe
Overnight, Silver Spirit carried us across the Strait of Gibraltar from Morocco back to Europe.
This morning we arrived in Cádiz, a remarkably compact Spanish city almost completely surrounded by the Atlantic.
After the intensity of Casablanca and the twisting medina streets of Tangier, Cádiz immediately felt different.
Bright sunlight reflected from white buildings. Palm trees lined elegant plazas. Narrow streets opened unexpectedly onto churches and cafés. And almost everywhere, the Atlantic seemed only a few blocks away.
But beneath that relaxed seaside atmosphere is an extraordinary history.
Cádiz traces its origins to the Phoenicians roughly 3,000 years ago, making it one of the oldest cities in Western Europe.
Today, no buses carry us from monument to monument.
The best way to discover Cádiz is much simpler.
We walked.
A City Made for Walking
Our guided walk began near the port at Plaza de España.
From there, Cádiz revealed itself gradually.
We passed handsome buildings and small plazas, walked along Calle Ancha, and continued toward San Juan de Dios Square, with its palm trees, fountains, and elegant Town Hall.
One of Cádiz’s pleasures is its scale.
The major sights aren’t far apart, so instead of seeing the city through the window of a tour bus, we experienced it at street level.
We could notice the balconies.
Look into courtyards.
Watch people going about their morning.
And turn down streets that sometimes seemed barely wide enough to be streets at all.
The architecture also tells the story of Cádiz’s prosperity.
For centuries, this was an important trading port, particularly during Spain’s trade with the Americas. Merchants built elegant homes and lookout towers, watching from their rooftops for ships returning across the Atlantic.
That history is still visible today.
But Cádiz never felt like an outdoor museum.
It felt lived in.
Perhaps that is what we enjoyed most.










he Golden Dome of Cádiz
Eventually, the narrow streets opened onto one of the city’s great landmarks—the Cádiz Cathedral.
We had already caught glimpses of its golden dome rising above the rooftops.
Up close, it was even more impressive.
The cathedral tells another story about Cádiz’s remarkable prosperity.
Construction began during the city’s great trading era in the 18th century, when enormous wealth was flowing through Cádiz from commerce with the Americas.
But building a cathedral of this scale takes time.
A lot of time.
In fact, Cádiz Cathedral took 116 years to complete.
Construction began in the Baroque style and finished in the Neoclassical period, which explains why different architectural influences appear throughout the building.
Inside, soaring columns and arches draw your eyes upward toward the great dome, while chapels, religious art and the choir fill the surrounding spaces.
Yet the feature we will probably remember most is the one we could see before we ever entered.
That golden dome.
Covered in golden tiles and rising above Cádiz’s white buildings, it has become one of the city’s unmistakable symbols.
For centuries, sailors approaching Cádiz from the Atlantic have seen it on the skyline.
Today, we arrived the same way.







The Cádiz Between the Monuments
As memorable as the Cathedral was, some of our favorite views of Cádiz came simply from walking between the major sights.
That is often where you begin to understand a city.
Laundry and balconies above narrow streets.
A café tucked into a plaza.
People stopping to talk.
A glimpse of blue water at the end of a street.
Cádiz has more than 3,000 years of history, but it doesn’t seem overwhelmed by it.
The ancient city is still very much alive.
And sometimes the most interesting thing to do is simply keep walking.


From Ancient Cádiz to Atlantide
After spending the morning walking through 3,000 years of history, we returned to a considerably more modern world aboard Silver Spirit.
That evening, we ate dinner in Atlantide again.
We were beginning to settle comfortably into the rhythm of our Grand Mediterranean voyage.
Each morning, a new destination.
Each afternoon, we returned to our floating home.
And each evening, dinner, entertainment, and the anticipation of wondering what would be waiting outside our window tomorrow morning.
After Cádiz, however, tomorrow’s destination promised to be particularly unusual.


One Musician — A Lot of Instruments
After dinner, we returned to the Venetian Lounge where Kenny was back with an entirely new show.
And apparently one instrument wasn’t enough.
During the evening, he moved between alto saxophone, ukulele, banjo and clarinet, while adding vocals to the mix.
Kenny has performed at some of Britain’s best-known venues, including the London Palladium, the Barbican and the Royal Albert Hall.
But tonight, his stage was considerably farther from London.
It was aboard Silver Spirit, somewhere off the coast of southern Spain.
Another enjoyable ending to another very different day.


Tomorrow: The Rock
Our day in Cádiz had been about walking.
Ancient streets.
Elegant plazas.
Merchant houses.
A magnificent cathedral.
And more than 3,000 years of history compressed into one remarkably compact city beside the Atlantic.
Tonight, Silver Spirit would continue east.
Tomorrow morning, however, we wouldn’t need a map to identify where we had arrived.
We would only have to look for the Rock.
Next: Gibraltar →